This is an interactive artwork I made with Tim Shaw and was one of the several pieces that resulted from the Sound Spaces project with John Bowers and Stefan Kazassoglou. Sound Spaces was an investigation, through making, of various intriguing locations across Liverpool in 2015. One of the places we visited was Liverpool’s Old Dock, which is largely unseen to passersby being underground in the foundations of the Liverpool ONE leisure and retail development. Anyone can visit The Old Dock by booking onto one of the free guided tours offered by National Museums Liverpool, but I wondered whether 360-degree spherical photographs, layered with images and sounds evoking the site’s past and present, could engage passersby above ground. I worked with Tim Shaw to create a first prototype, which attracted sponsorship from Liverpool ONE to develop and install the piece for two years. The artwork went live in April 2017, some of the first visitors being a convention of Lord Mayors!
The piece is intended to be viewed on location in Liverpool ONE. But the image below gives a flavour of it.
I’ve just come back from an intensive four-day workshop at FACT in Liverpool, working with Kinicho (a company specialising in kinetic/3D sound engineering), three researcher-practitioner colleagues from Newcastle University (Tim Shaw, John Bowers and Tom Schofield), and several people who signed up for the workshop which was part of FACT’s Build Your Own programme of activities. We visited several fascinating spaces across the city to make various recordings, which we then used to produce several interactive works for public performance and demonstration. During this time I created an interactive, layered, series of spherical panoramic photographs which can be explored here: http://simon-bowen.com/soundlines/ (For extra interaction, use a smart phone or tablet…)
We intend to develop these works further for a public installation towards the end of October.
I was at a Skills in Action event in Edinburgh a couple of weeks ago delivering a workshop on academic-industry collaborations with my Lancaster colleague, Naomi Jacobs. Whilst there we were there, Times Higher Education spoke to us about the creative and cultural industry collaborations we have been involved in. Read the full article here.
I’m presenting at the Design Research Society (DRS) conference in Umeå, Sweden. Discussing a quandary of research through design – as a designer-researcher, how can I capture the how/why of my designing (for research into design methods) without interfering with the designing itself.
A key output of my work at User-centred Healthcare Design was an evaluation of participant’s experiences doing service design in the UK National Health Service. The CoDesign journal article reporting our findings is now available on the Taylor and Francis website. Fittingly, it’s open access, too!
I’ve been invited to participate in a live discussion on the Design Research Network website entitled Before and After Critical Design. For more information and to contribute to the discussion, see their website.
I’ve had an article published in the International Journal of Human-Computer Studies on the work I did on digital mementos during my PhD. It’s part of a special issue on designing for reflection on personal experience and describes the work I did with my colleague Daniela Petrelli (who is the second author) where I used critical artefact methods to design ideas for the digital equivalent of mementos with groups of would-be users. See my publications page for bibliographic details and a link to download the paper from ScienceDirect.
I gave a guest lecture on my use of critical artefacts for participatory innovation in Belgium last week. The nice people at Social Spaces have kindly made the slides available online and there is a short teaser interview with me available online through YouTube.
Thanks to everyone in Hasselt for making me feel so welcome, especially Liesbeth Huybrechts and Helena Bijnens.